Rafael Domenech

 
9 copy
9 copy
  • Rafael Domenech
  • CV
  • Artist books
    • glittering on a thousand transitions
    • realigning the sounds of rain
    • chanting cutting songs
    • not ours alone
    • the silhouette of the heat
    • untitled (lets pray to the monotonous sun)
    • traversing noise, sure sound
    • Green snow (conversation with Ryan about MF)
    • water the words
    • ensayos métricos
    • horizons of noise
    • liquid fences (the space between you and me is where we collapse)
    • here, we burnt the river
    • a.b
    • fragments of the space traversed
    • streams of neon on ketchup and plastic
    • things that amount to nothing
    • notations from an american landscape
    • the plastic river has no corners
    • untitled, untitled, untitled
    • there is no longer an elsewhere
    • 03
    • NO NO AMERICA
    • superfree – to listen to the noise –
    • Heteroglossic city
    • Untitled (towards bad infinity)
    • “AND”
    • 11 miles walk
    • Biography of the ordinary
    • Cartography of the informal city (vectors, graphics,and residual spaces)
    • Every nice place
    • Towards a bad infinity
    • Humdrum walk
    • I kept poking on the hole until it became a door
    • Isométrico publications
    • Las Palabras Son Muros (Pavilion for Astoria)
    • N18 (place as sculpture)
    • Notations from an american landscape 6
    • PIEDRA NEGRA
    • Place the Dance Better America
    • Plastic trees, digital flavors, digital orange, void spaces
    • Retraces (after GM-C)
    • Untitled (perimeter)
    • The space between the fence and me
    • Untitled (resilient object, object of display)
    • Untitled (79th)
    • Untitled (collaboration with Jose Iraola)
  • Archive
  • Prologue: Residual Images in Italic
  • Heat silhouette
  • Meeting at the edge of the heat
  • Assembling beneath a desire for sabotage
  • Estuary (pavilion for MOAD)
  • model to exhaust a lamp
  • Social factory (chair chorus)
  • The medium is the massage
  • Dividing an edge from an ever (pavilion for Sarduy)
  • imperfect fragments of an uncertain whole
  • Model to exhaust this place (SculptureCenter Pavilion)
  • Las Palabras son Muros (Pavilion for Astoria)
  • the other square with no corners
  • An Oracle On A Tomato, Ubiquitous Rectangles
  • elliptical rectangles
  • Notations from somewhere
  • Hialeah Eléctrica – Metavector
  • Elementary rotations
  • This Way: Rafael Domenech
  • Publications no.2
  • Publications
  • Repositioned subtitles, fragmented poem (tactical occupation)
  • Bad infinities: laboratory of fragments
  • The surface where language collapsed (sedimented landscapes)
  • Searching the sky for rain
  • Peripheral poem 68 (countermonument pavilion)
  • [dislocated assemblage for a map of possibilities]
  • Paradoxically tied: A Landscape of Permissions
  • -Untitled (Miami Excerpts: Mapping the mapped city, dumb objects and the residue)-
  • Collapsible archive (efficiency to occupy space)
  • Diagram of five objects
  • Ensayos vectoriales (biblioteca, lámpara)
  • La Mata (the perennial sprout)
  • Meditating in the eye of the storm
  • Eagle, table, situation
  • Monchromestructurechromaticpaper
  • o Resaca o
  • Objects that belong to the floor
  • Orlando museum
  • Notations from an American landscape
  • Celosia (Collaboration with Ernesto Oroza)
  • (01, 02, 03, 04, 05, 06)
  • Untitled (Sistema 63)
  • Untitled (Spatial relation after Yona Friedman)
  • Sedimented surface
  • Vermont drawing (political drawing, chance, complexity and contradiction after robert venturi)
  • The List of Messier Objects
  • Untitled (Spontaneous appropriation of space)
  • Untitled (Subsystem square and ellipses)
© 2015 Rafael Domenech