Rafael Domenech

 
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  • Rafael Domenech
    • Home
    • Works
      • 2019
        • Paradoxically tied: A Landscape of Permissions
        • GREEN GO HOME
        • Notations from an american landscape 6
        • Collapsible archive (efficiency to occupy space)
        • Las Palabras son Muros (Pavilion for Astoria)
        • Battleship Potemkin Exhibition
        • -Untitled (Miami Excerpts: Mapping the mapped city, dumb objects and the residue)-
        • PIEDRA NEGRA
        • Untitled 2019 (the form of the flower is unknown to the seed)
        • Untitled (Big Bang Pavilion)
        • Diagram of five objects
        • Objects that belong to the floor
        • Notations from an American landscape
        • La Mata (the perennial sprout)
        • Plastic trees, digital flavors, digital orange, void spaces
        • 11 miles walk
        • Generic forms, generic objects, generic place
        • Scanned drawings
      • 2018
        • I kept poking on the hole until it became a door
        • Untitled (a rock, yellow, and the building)
        • Meditating in the eye of the storm
        • Humdrum walk
        • Untitled (we are all connected through artificial arteries)
        • Miami Excerpts: Mapping the mapped city, dumb objects and the residue
        • Resaca
        • Every nice place
        • Orlando museum
        • SECCA
        • Cartography of the informal city (vectors, graphics,and residual spaces)
        • Place the Dance Better America
        • Biography of the ordinary
        • Untitled (Como una piedra negra, onomatopoeic rock)
        • Abstract composition (generic box)
        • Untitled (biography of the ordinary)
        • Sistema colaborativo (space, alley,pathways,the fragment city)
        • Retraces (after GM-C)
        • N18 (place as sculpture)
        • Untitled (perimeter)
        • Signos 36 (Project by Ernesto Oroza)
        • Sulfuric city
        • “AND”
        • Untitled (residual spaces)
        • Circular incision (occupying a public space)
        • Untitled (resilient object, object of display)
        • Untitled (MASS)
        • The space between the fence and me
        • Untitled (Contained dimensions, monuments after RS)
        • Sedimented surface
        • Scanned archive
      • 2017
        • Untitled (Miami particle)
        • Untitled (79th)
        • o Resaca o
        • Untitled (collaboration with Jose Iraola)
        • Biblioteca
        • Post archeology (process object/coincidental object)
        • Untitled (corner)
        • Untitleduntitled (Miamiyellow)
        • Untitled (Political space, Complexity and contraditions after Robert Venturi, ramdom pattern)
        • Vermont drawing (political drawing, chance, complexity and contradiction after robert venturi)
        • Monchromestructurechromaticpaper
        • Untitled (Turangalîla)
        • Untitled
        • Untitled (Spontaneous appropriation of space)
        • Untitled (post archeology)
        • Untitled (Plaza pública)
        • Untitled (Spatial relation after Yona Friedman)
        • Untitled (Sistema 63)
        • Studio for tables
        • Untitled
      • 2016
        • Untitled (3 parts table)
        • Pleiades: Sistema 10
        • The List of Messier Objects
          • 1
          • 2
          • 3
          • 4
          • 5
          • 6
          • 7
          • 8
          • 9
          • 10
            • 11
        • Untitled (Rh3011)
        • Untitled (OBPB)
        • Archive system
        • Untitled
        • Scanned archives
        • Micro Stage Project (The Holistic System)
        • Celosia (Collaboration with Ernesto Oroza)
        • Synthetic geometry
        • One-Many Reduction (Capilla 1)
        • Untitled (PB)
      • 2015
        • Unspecified
        • (01, 02, 03, 04, 05, 06)
        • Untitled (OBBG)
        • /\/\//\/\/\
        • Untitled
        • Untitled (Subsystem square and ellipses)
        • Sistema 10
        • Isolated system (Composition for MB)
        • Untitled (PAMM)
        • Proposal for a public space
        • Untitled Room No.1
      • 2014
        • Time/Memory/Context
          • Untitled (Friedman’s strength model of time memory)
          • The last portrait
          • Untitled (Studio surface)
          • Untitled (Gregorian bench set)
          • Untitled (12 benches)
        • Untitled
        • Untitled (Three panels)
        • Circular reasoning
      • 2013
        • Symplectic structures
          • No.5
          • No.3
          • No.2
          • Untitled (3 spheres, 3 circles)
          • Untitled (parallel spheres)
          • Untitled (tests)
        • Bunker series
        • Untitled (White)
      • 2012
        • The wall
        • The ground bellow you
        • Possible chances
        • Bunker
      • 2011
        • Untitled (Olympic platform)
        • Posture: the exercise of political correctness
        • Before and after
      • 2010
        • Temporary observation
          • Untitled (Northern Lights)
          • Untitled (Ground)
      • 2009
        • The image inside the head
        • Hydroclastic
        • Proposal projects
        • The Wall
        • Memory Wall
        • Trace or the necessity of a new identity 2008-09
    • Exhibitions
      • Solo exhibitions
        • 2016
          • The List of Messier Objects
          • Pleiades: Sistema progresivo
        • 2014
          • Time/Memory/Context
        • 2013
          • Symplectic structures
        • 2010
          • Ultima imágen de ciudad
            • Sarduy
      • Group exhibitions
        • 2015
          • Iconocracy
        • 2014
          • Beyond the Supersquare
          • Romance
    • News
    • Bio
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© 2015 Rafael Domenech