Rafael Domenech

 

DSC01190
DSC01190
DSC01193
DSC01193
DSC01197
DSC01197
DSC01199
DSC01199
DSC01201
DSC01201
DSC01203
DSC01203
DSC01205
DSC01205
DSC01207
DSC01207
DSC01209
DSC01209
DSC01211
DSC01211
DSC01213
DSC01213
DSC01215
DSC01215
DSC01217
DSC01217
DSC01218
DSC01218
DSC01221
DSC01221
DSC01223
DSC01223
DSC01225
DSC01225
DSC01228
DSC01228
DSC01230
DSC01230
DSC01231
DSC01231
DSC01233
DSC01233
DSC01235
DSC01235
DSC01237
DSC01237
DSC01239
DSC01239
DSC01241
DSC01241
DSC01244
DSC01244
DSC01246
DSC01246
DSC01248
DSC01248
DSC01250
DSC01250
DSC01252
DSC01252
DSC01254
DSC01254
DSC01256
DSC01256
DSC01258
DSC01258
DSC01260
DSC01260
DSC01264
DSC01264
DSC01267
DSC01267
DSC01268
DSC01268
DSC01270
DSC01270
DSC01272
DSC01272
DSC01292
DSC01292
DSC01277
DSC01277
DSC01279
DSC01279
DSC01282
DSC01282
DSC01283
DSC01283
DSC01285
DSC01285
DSC01288
DSC01288

  • Rafael Domenech
  • CV
  • Artist books
  • water the words
  • ensayos métricos
  • horizons of noise
  • liquid fences (the space between you and me is where we collapse)
  • here, we burnt the river
  • a.b
  • fragments of the space traversed
  • streams of neon on ketchup and plastic
  • things that amount to nothing
  • notations from an american landscape
  • the plastic river has no corners
  • untitled, untitled, untitled
  • there is no longer an elsewhere
  • 03
  • NO NO AMERICA
  • superfree – to listen to the noise –
  • Heteroglossic city
  • Untitled (towards bad infinity)
  • “AND”
  • 11 miles walk
  • Biography of the ordinary
  • Cartography of the informal city (vectors, graphics,and residual spaces)
  • Every nice place
  • Towards a bad infinity
  • Humdrum walk
  • I kept poking on the hole until it became a door
  • Isométrico publications
  • Las Palabras Son Muros (Pavilion for Astoria)
  • N18 (place as sculpture)
  • Notations from an american landscape 6
  • PIEDRA NEGRA
  • Place the Dance Better America
  • Plastic trees, digital flavors, digital orange, void spaces
  • Retraces (after GM-C)
  • Untitled (perimeter)
  • The space between the fence and me
  • Untitled (resilient object, object of display)
  • Untitled (79th)
  • Untitled (collaboration with Jose Iraola)
  • Archive
  • An Oracle On A Tomato, Ubiquitous Rectangles
  • elliptical rectangles
  • Notations from somewhere
  • Hialeah Eléctrica – Metavector
  • Elementary rotations
  • imperfect fragments of an uncertain whole
  • This Way: Rafael Domenech
  • Publications no.2
  • Publications
  • Repositioned subtitles, fragmented poem (tactical occupation)
  • Bad infinities: laboratory of fragments
  • Model to exhaust this place (SculptureCenter Pavilion)
  • The surface where language collapsed (sedimented landscapes)
  • Searching the sky for rain
  • Peripheral poem 68 (countermonument pavilion)
  • [dislocated assemblage for a map of possibilities]
  • Paradoxically tied: A Landscape of Permissions
  • Las Palabras son Muros (Pavilion for Astoria)
  • -Untitled (Miami Excerpts: Mapping the mapped city, dumb objects and the residue)-
  • Collapsible archive (efficiency to occupy space)
  • Diagram of five objects
  • Untitled (Big Bang Pavilion)
  • Ensayos vectoriales (biblioteca, lámpara)
  • GREEN GO HOME
  • La Mata (the perennial sprout)
  • Meditating in the eye of the storm
  • Eagle, table, situation
  • Monchromestructurechromaticpaper
  • o Resaca o
  • Objects that belong to the floor
  • Orlando museum
  • Post archeology (process object/coincidental object)
  • Notations from an American landscape
  • Celosia (Collaboration with Ernesto Oroza)
  • (01, 02, 03, 04, 05, 06)
  • Untitled (Sistema 63)
  • Untitled (Spatial relation after Yona Friedman)
  • Circular incision (occupying a public space)
  • Sedimented surface
  • Untitled (Political space, Complexity and contraditions after Robert Venturi, ramdom pattern)
  • Vermont drawing (political drawing, chance, complexity and contradiction after robert venturi)
  • Post archeology (process object/coincidental object)
  • The List of Messier Objects
  • Untitled (Spontaneous appropriation of space)
  • Untitled (Subsystem square and ellipses)
© 2015 Rafael Domenech