Rafael Domenech

 
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  • Rafael Domenech
  • Bio
  • Contact
  • Isométrico publications
  • Artist books
  • Las Palabras Son Muros (Pavilion for Astoria)
  • Plastic trees, digital flavors, digital orange, void spaces
  • I kept poking on the hole until it became a door
  • Untitled (towards bad infinity)
  • NO NO AMERICA
  • Notations from an american landscape 6
  • 11 miles walk
  • Meditating in the eye of the storm
  • Place the Dance Better America
  • Humdrum walk
  • Generic forms, generic objects, generic place
  • Sulfuric city
  • Untitled (79th)
  • N18 (place as sculpture)
  • PIEDRA NEGRA
  • The space between the fence and me
  • Untitled (collaboration with Jose Iraola)
  • Retraces (after GM-C)
  • Miami Excerpts: Mapping the mapped city, dumb objects and the residue
  • Archive
  • Model to exhaust this place (SculptureCenter Pavilion)
  • [dislocated assemblage for a map of possibilities]
  • Paradoxically tied: A Landscape of Permissions
  • Searching the sky for rain
  • Las Palabras son Muros (Pavilion for Astoria)
  • -Untitled (Miami Excerpts: Mapping the mapped city, dumb objects and the residue)-
  • Notations from an American landscape
  • Collapsible archive (efficiency to occupy space)
  • Diagram of five objects
  • Untitled (Big Bang Pavilion)
  • La Mata (the perennial sprout)
  • Untitled 2019 (the form of the flower is unknown to the seed)
  • GREEN GO HOME
  • Untitled (Contained dimensions, monuments after RS)
  • Scanned drawings
  • Battleship Potemkin Exhibition
  • Celosia (Collaboration with Ernesto Oroza)
  • (01, 02, 03, 04, 05, 06)
  • Archive system
  • Scanned drawings
  • Meditating in the eye of the storm
  • Sedimented surface
  • Objects that belong to the floor
  • Orlando museum
  • Post archeology (process object/coincidental object)
  • SECCA
  • o Resaca o
  • Sistema 10
  • Sistema colaborativo (space, alley,pathways,the fragment city)
  • Untitled (resilient object, object of display)
  • Untitled (Como una piedra negra, onomatopoeic rock)
  • Untitled (Friedman’s strength model of time memory)
  • Celosia (Collaboration with Ernesto Oroza)
© 2015 Rafael Domenech