Rafael Domenech

 
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  • Rafael Domenech
  • CV
  • Artist books
  • 03
  • NO NO AMERICA
  • superfree – to listen to the noise –
  • Heteroglossic city
  • Untitled (towards bad infinity)
  • “AND”
  • 11 miles walk
  • Biography of the ordinary
  • Cartography of the informal city (vectors, graphics,and residual spaces)
  • Every nice place
  • Towards a bad infinity
  • Humdrum walk
  • I kept poking on the hole until it became a door
  • Isométrico publications
  • Las Palabras Son Muros (Pavilion for Astoria)
  • N18 (place as sculpture)
  • Notations from an american landscape 6
  • PIEDRA NEGRA
  • Place the Dance Better America
  • Plastic trees, digital flavors, digital orange, void spaces
  • Retraces (after GM-C)
  • Untitled (perimeter)
  • The space between the fence and me
  • Untitled (resilient object, object of display)
  • Untitled (79th)
  • Untitled (collaboration with Jose Iraola)
  • Archive
  • Repositioned subtitles, fragmented poem (tactical occupation)
  • Bad infinities: laboratory of fragments
  • Model to exhaust this place (SculptureCenter Pavilion)
  • The surface where language collapsed (sedimented landscapes)
  • Searching the sky for rain
  • Peripheral poem 68 (countermonument pavilion)
  • [dislocated assemblage for a map of possibilities]
  • Paradoxically tied: A Landscape of Permissions
  • -Untitled (Miami Excerpts: Mapping the mapped city, dumb objects and the residue)-
  • Collapsible archive (efficiency to occupy space)
  • Diagram of five objects
  • Untitled (Big Bang Pavilion)
  • Ensayos vectoriales (biblioteca, lámpara)
  • GREEN GO HOME
  • La Mata (the perennial sprout)
  • Meditating in the eye of the storm
  • Eagle, table, situation
  • Monchromestructurechromaticpaper
  • o Resaca o
  • Objects that belong to the floor
  • Orlando museum
  • Post archeology (process object/coincidental object)
  • Notations from an American landscape
  • Celosia (Collaboration with Ernesto Oroza)
  • (01, 02, 03, 04, 05, 06)
  • Untitled (Sistema 63)
  • Untitled (Spatial relation after Yona Friedman)
  • Circular incision (occupying a public space)
  • Sedimented surface
  • Untitled (Political space, Complexity and contraditions after Robert Venturi, ramdom pattern)
  • Vermont drawing (political drawing, chance, complexity and contradiction after robert venturi)
  • Post archeology (process object/coincidental object)
  • The ground bellow you
  • The List of Messier Objects
  • Untitled (Spontaneous appropriation of space)
  • Untitled (Subsystem square and ellipses)
© 2015 Rafael Domenech