Rafael Domenech

 
19dbd017-36d4-4149-a667-313d8c613bdd
19dbd017-36d4-4149-a667-313d8c613bdd
9bf47321-e267-4c86-87b8-899ea85d4dff
9bf47321-e267-4c86-87b8-899ea85d4dff
d728c0a6-659d-4063-9976-39dfb92d61a1
d728c0a6-659d-4063-9976-39dfb92d61a1
Hau International, Frieze Booth 22, 09
Hau International, Frieze Booth 22, 09
Hau International, Frieze Booth 22, 07
Hau International, Frieze Booth 22, 07
Hau International, Frieze Booth 22, 05
Hau International, Frieze Booth 22, 05
Hau International, Frieze Booth 22, 04
Hau International, Frieze Booth 22, 04
Hau International, Frieze Booth 22, 03
Hau International, Frieze Booth 22, 03
Hau International, Frieze Booth 22, 02
Hau International, Frieze Booth 22, 02
Hau International, Frieze Booth 22, 01
Hau International, Frieze Booth 22, 01
  • Rafael Domenech
  • CV
  • Artist books
    • glittering on a thousand transitions
    • realigning the sounds of rain
    • chanting cutting songs
    • not ours alone
    • the silhouette of the heat
    • untitled (lets pray to the monotonous sun)
    • traversing noise, sure sound
    • Green snow (conversation with Ryan about MF)
    • water the words
    • ensayos métricos
    • horizons of noise
    • liquid fences (the space between you and me is where we collapse)
    • here, we burnt the river
    • a.b
    • fragments of the space traversed
    • streams of neon on ketchup and plastic
    • things that amount to nothing
    • notations from an american landscape
    • the plastic river has no corners
    • untitled, untitled, untitled
    • there is no longer an elsewhere
    • 03
    • NO NO AMERICA
    • superfree – to listen to the noise –
    • Heteroglossic city
    • Untitled (towards bad infinity)
    • “AND”
    • 11 miles walk
    • Biography of the ordinary
    • Cartography of the informal city (vectors, graphics,and residual spaces)
    • Every nice place
    • Towards a bad infinity
    • Humdrum walk
    • I kept poking on the hole until it became a door
    • Isométrico publications
    • Las Palabras Son Muros (Pavilion for Astoria)
    • N18 (place as sculpture)
    • Notations from an american landscape 6
    • PIEDRA NEGRA
    • Place the Dance Better America
    • Plastic trees, digital flavors, digital orange, void spaces
    • Retraces (after GM-C)
    • Untitled (perimeter)
    • The space between the fence and me
    • Untitled (resilient object, object of display)
    • Untitled (79th)
    • Untitled (collaboration with Jose Iraola)
  • Archive
  • Prefigured Forms
  • Prologue: Residual Images in Italic
  • Heat silhouette
  • Meeting at the edge of the heat
  • Assembling beneath a desire for sabotage
  • Estuary (pavilion for MOAD)
  • model to exhaust a lamp
  • Social factory (chair chorus)
  • The medium is the massage
  • Dividing an edge from an ever (pavilion for Sarduy)
  • imperfect fragments of an uncertain whole
  • Model to exhaust this place (SculptureCenter Pavilion)
  • Las Palabras son Muros (Pavilion for Astoria)
  • the other square with no corners
  • An Oracle On A Tomato, Ubiquitous Rectangles
  • elliptical rectangles
  • Notations from somewhere
  • Hialeah Eléctrica – Metavector
  • Elementary rotations
  • This Way: Rafael Domenech
  • Publications no.2
  • Publications
  • Repositioned subtitles, fragmented poem (tactical occupation)
  • Bad infinities: laboratory of fragments
  • The surface where language collapsed (sedimented landscapes)
  • Searching the sky for rain
  • Peripheral poem 68 (countermonument pavilion)
  • [dislocated assemblage for a map of possibilities]
  • Paradoxically tied: A Landscape of Permissions
  • -Untitled (Miami Excerpts: Mapping the mapped city, dumb objects and the residue)-
  • Collapsible archive (efficiency to occupy space)
  • Diagram of five objects
  • Ensayos vectoriales (biblioteca, lámpara)
  • La Mata (the perennial sprout)
  • Meditating in the eye of the storm
  • Eagle, table, situation
  • Monchromestructurechromaticpaper
  • o Resaca o
  • Objects that belong to the floor
  • Orlando museum
  • Notations from an American landscape
  • Celosia (Collaboration with Ernesto Oroza)
  • (01, 02, 03, 04, 05, 06)
  • Untitled (Sistema 63)
  • Untitled (Spatial relation after Yona Friedman)
  • Sedimented surface
  • Vermont drawing (political drawing, chance, complexity and contradiction after robert venturi)
  • The List of Messier Objects
  • Untitled (Spontaneous appropriation of space)
  • Untitled (Subsystem square and ellipses)
© 2015 Rafael Domenech